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The Spaceship Ride Wit The New ATLA..iens by DJ Layne Luv

Daz & Gipp 2gether

Ok so I’m working in my office in the official blogging headquarters of WTMH Radio/StraightOfficial Ohio/State Of Hip Hop.com and I’m in one of those blah moods. All of the sudden my Telegram alerts are lighting up out of control. It’s the CEO of The Fleet DJ’s Klassik and he wants to know if I’d be available to interview Daz Dillinger of The Dogg Pound and Big Gipp of Goodie Mob. He said “Yo! I’m giving this to you because you really know how to put together great interviews…don’t let me down” But that’s not what I’m thinking… My mind automatically goes back to being in Sigonella Italy in January of 1993 and having two tapes in my walkman to get me through a Naval tour. Dr. Dre’s The Chronic and Redman’s Whut Thee Album. Then in 1995,  the month I’m released from the Navy…I’m in the post office hating life and the only two tapes that get me through are Goodie Mob’s Soul Food and D’angelo’s Brown Sugar. So to be able to talk to these guys was more than an honor…they really shaped my young adult life.

It’s 2pm Eastern time and the phone rings promptly. I look on the caller ID and immediately I see it’s a Los Angeles California number. Presumptuous I just answer..”Dat Nigga Daz!”….and in true Long Beach vernacular he replies “Whaddup homie?” I want to continue the conversation but I can’t stop smiling. This is gonna be a true “for the culture” phone call. These two were right in the middle of Hip Hop when it shifted in 1995 from East and West coast prominence to The South Uprising. But to see The South and West collaborate under one groove….DJ Layne Luv is here for this.

SO: Let’s just skip all the propers…how did y’all two muh fuchas decide to get together one day and make some music?

Bigg Gipp: Man Daz jus called me up one morning and said let’s make some music. I showed up..DJ Funky and Cool Dolla and Henry West was in there already cookin.. Then I heard the beat. I instantly loved it man. Daz made the hook…I went outside…when I come back in he had the hook and the verse laid. But I wasn’t ready. So I smoked a blunt..took it home and sat on it for a day or two…came back to the studio. Daz said you ready and I said yeah I’m ready…laid down the verse and the finished product was Type Of Girl. That was the first song we did.

SO: I’m very skeptical when veterans come back and make music because there is a dilemma of walking away from the game holding the hand in the air for The Final Shot…preserving the legacy versus coming back in a Washington Wizards Jersey. But Type Of Girl seems to fit right in with the music we are hearing today. How does feel to still be in touch with what’s going on?

Daz: I’m not gonna lie, it feels great! To still be able to do what you love and the people still respond to it with approval. We just keep thriving. As long as you have a good heart, you breathing and your health is good..from that point it’s about elevatin the game. And staying consistent. I’ve alway been able to be myself no matter where I’m at and I’m grateful for that.

SO: Man when I reminisce on how LA music make me feel and how Dungeon Family music made me feel, it just feels like a good time..like a backyard cookout…blended with a lot of herbal essence as the elixir….does that help with the vibe of the records you all put out?

DAZ: Man we are doing just that right now as we speak (Laughter in the background from all the niggas in the studio hahaha) DJ Marijuana is IN THE HOUSE….(I can’t control my laughter at this point) Seriously it doesn’t help it or hurt it, It’s helps most rappers to relax so the thoughts and creativity and push through. You can smoke weed and still make a wack song, we just happen to be good and what we do and the weed helps with that.

SO: So Daz as good as you are a rapper, you’re also one hell of a producer and you’ve engineered some classic West Coast bangers…one of my favorites being Tupac’s “Got My Mind Made Up” ..so two questions. Who’s producing your music now and tell our audience what it was like working under the tutelage of Dr. Dre?

DAZ: So Cool Dolla is our producer right now but we are working with anyone that got heat for real…

But when you talk about Dre and those years…whew….Man at first I was just puttin shit together that I thought sounded good. And then Dre would walk by the studio and say…I like this…or I don’t like that and I was just in there learning from him. But it all changed the day he said “Here Daz, I’ll let you use my drum machine” I don’t know what happened but from that one thing…it all changed and I created Rat A Tat Tat and all that shit…but seriously Warren G is who helped me get the most out of Dre’s drum machine. But Dre showed me how to put the beat on tracks and put stuff around it to make the beat sound fuller. Dre helped me out a lot.

SO: SO Gipp being that ATL has been a residence in the rap game for more than a decade going on two…how do you feel that your city has had such a long reign in music? It was a time that Hip Hop bounced around every ten years or so, but it seems that ATL has a stronghold on the game right now. How do you feel about that?

GIPP: It feels great, how these kids are taking the foundation that The Dungeon Family started and taking the ball and running with with. You see down south, we encourage growth, so when we see these kids creating, making their own beats and creating their own sound, that’s what keeps the music going for us…and quite frankly…as long as there is STRIP CLUBS…you always gonna hear ATL music. (A Loud laughter in the studio again) You can tell when you got a banger..is when them strippers start moving to it. Our music is a music that transcends gender or race. It’s family and it’s hood. I got nothing but respect for these young millionaires Migos, Metro Boomin, Mike Will Made It, Future, Young Thug, South Side, Colli Park they continue to push the culture by taking this music worldwide. I love it.

SO: So Gipp let me take you back to The Source Awards in 95′ . When 3 Stacks said “The South Got Something to say” Did you even guess that those words would be prophetic and set off the ATL revolution?

GIPP: Man to tell you the truth, I was on stage with him and I couldn’t hear let alone focus on what Dre was saying. We was all in fight mode. It was so rowdy and noisy in there, you could feel the tension to the point where any and everything could have jumped off… and we was ready. We was all on the defensive at that moment so I didn’t really hear what Dre said until years later when I saw the tape. But looking back, yes it was prophetic and I’m glad he said it, because the south took that baton and we never looked back.

SO: SO when can we expect the full album fellas?

DAZ: Late winter, early spring…just in time for them coasters and them honeys. ATLA baby!!!

SO: Well I thank y’all for taking time out of yall’s studio session to holler at ya boy. Much success to you both bringing the south and the west together to stir up a good pot of gumbo.

DAZ: Thank you Layne Luv and Straight Official for having us and big shout out to The Fleet DJ’s for playing our music!!! Much Respect!!! Respect The DJ!

@DJLAYNELUV

@StraightOfficialMag

@BigGippGoodie

@DazDillinger

@FleetDJs

@UptownWeekly

 

 

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[MUSIC] PUFF DADDY x NOTORIOUS B.I.G. x RICK ROSS – WATCHA GON’ DO?

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Yeeeeeee. The Gods of Hip Hop have spoken. P. Diddy is back to Puff Daddy. Puff Daddy dropped to new tracks on OVO sound on Saturday. It was just a matter of time before Puff connected Biggie Smalls and Rick Ross.

And to take it to the next level, Watcha Gon’ Do? had that original Bad Boy sound.

 


And Watcha Gon’ Do?Dre Day took off to the Nothing But A G Thang’.

 

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[NEW MUSIC] FRENCH MONTANA: JUNGLE RULES

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I’m French Montana is back with his sophomore album JUNGLE RULES. The line up is stacked with Max B, Chinx, Future, Quavo, Weekend, Travis Scott, Swae Lee, Pharrell, Ziico Niico and T.I., Young Thug, Marc E. Bassy and Alkaline.

https://itun.es/us/L2VXkb

The sound of this album is hella wavy from the C.O.K.E Boys, Bad Boy, Maybach Music Artist. French Montana found away to harmonize that auto hood with a hood bounce. If you like the single Unforgettable ft Swae Lee, then this album gots to find your way to your playlist.

Production credits: Harry Fraud, Scott Storch, Detail, London on da Track, Mike Will Made It and others.

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[MUSIC] TLC: WAY BACK! IT’S SUNNY, HATERS

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TLC’s self-titled album is on the way up and will be available June 30th. The 12 track album released on 852 MUSIQ has three tracks available now with a pre-order.

Before we go into these 3 tracks, just from the vibes of the songs available you feel Left Eye’s spirit everywhere.

TLC reached out to everybody’s favorite uncle, Uncle Snoop for Way Back. This joint is jazzy and reminds us that when you’re with your day 1 homies everything is revolutionary proper.

It’s Sunny brings the 70’s into 2017 with that Bar-B-Que family reunion music sampling September from Earth, Wind And Fire. This is one of those songs that’ll help you battle the storm of life.

Haters is an anthem. It reminds me of  Unpretty, but a version made for the people of today. This song is inspiring and empowering for women and everyone that are way too often judged for their appearance instead of their heart and soul.

https://itun.es/us/IugFjb

I can’t wait until June 30th to hear the full album. Pre-order today! It’s a must grab.

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One Mans Art….A conversation with Louis Picasso by @DJLayneLuv

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When your 20 year old daughter tells you “Daddy you have to listen to this artist….” with all of her enthusiasm, you have no choice but to drop everything and give her your undivided attention. The back story is that she was attending a listening party and she got there extremely early to find a young man setting up stage and lighting. As she engaged in conversation with the young man she became intrigued by his views and outlook on certain things. They ended their small talk without any exchange of names. She gradually attended the party to the progression of the featured artist for the evening. As they introduce the featured artist, she then made the connection with the moment of clarity. Louis Picasso was the gentleman from earlier setting up his own show. She was even more impressed with the quality of his music.

Come to find out, he’s well known in Ypsilanti Michigan and has a commendable following. With his latest single Gold, he’s booked for a few dates across the country including some dates in California.

It is one thing to know a person by their art…but to get to know the authentic person behind the art is something totally different altogether. When I speak to masterful musicians, I am so amazed by their humility and dedication to their craft. This conversation gave me hope for my daughters generation. So much is lost in translation based on age differences that when two people put aside those prejudices, they find they have a lot more in common than not. Speaking to this young man made it refreshing that he is in my daughters circle. And Oh! did I forget to mention she is helping with his artist management now?

Ladies and gentleman… Louis Picasso

OTT: I’m always interested in the inner workings of an independent artists journey considering I’m one myself. So tell us how did you get into music?

LP: As with a lot of musicians, my entire family is involved with music. Everybody sings, everybody plays and instrument, so I was kind of born into it. However, I didn’t start writing music until about 2008. It was like another way to express myself verses being out here doing a lot of wrong, music was my sole outlet.  Then about 2013 I started to take it more serious.  I started learning about music theory and the history of music and different genres of music I wasn’t listening to before…so that’s how it started.

OTT: Because there are limited paths to success in the music business today, I see you’ve taken the approach of a Lamar, Cole, or even names like Lupe and Badass. What brought about your eclectic sound?

LP: My approach to the music always zoned in on lyricism vs the beat which is not the approach most people take. The majority are moved by the beat or the flow. I took a liking to B.I.G. because of his wordplay. Biggie was the first album that I went through and fully dissected and I got that from my dad when I was in middle school. And I just admitted I was feeling my dad’s music so please forgive that crime. (It’s human nature to rebel against your parents music LOL) Yeah but I was really feeling how Biggie put a song together and from listening to more rappers like him and Nas, I noticed how they put different feelings and emotion into their stories. Because you see… when you’re creating, you really don’t know how it’s gonna come out, but through their influence, I learned how to trust my feelings and expression.

OTT: Tell us about your evolution as an artist and finding your own voice.

LP: Well it’s like you said up until 2008, my interpretation of music was from everything that I listened to prior, so in that, there is a lot of mimicking and trying different styles. It took a lot of changing man because you have to be true to yourself and your art, but you also have to produce something your audience will love and appreciate.

OTT: Great transition! Without giving away your business secrets lol, how did you develop your respectable following?

LP: Weeelll…hahaha, I was tired of being told no when it came to my vision. Necessity is the mother of creation and invention so I was forced to think outside the box when it came to my marketing and building relationships. I remember wanting to rock at certain shows and being told no. I remember wanting to record in certain studios and being declined. I got fed up and started doing it on my own. You have to have faith behind your ideas and your craft. Because if you don’t, you’re going to get discouraged and eventually give up. You can put tens of thousands of dollars into your project but without faith you don’t have much. This is why you have the Missy’s and Pharell Williams and Timbalands that are masters at what they do because they took the time to learn everything on their own and they were hungry for that knowledge despite the roadblocks.

The last show I got told no to, it left a bad taste in my mouth so I created what is called a Pop-Up show at Third Rail. That was my very first show and it sold out the first week based on how we promoted it and previewed it. Well before the show, people were impressed with our presentation which made them interested. That’s a key right there. Your presentation has to be so appealing that it makes people want to check it out. The buzz was so real that I just took that formula and applied it to every single show.  I put my all into and keep my faith in tact.

OTT: Being that you are from Michigan, what is your take on the house that J Dilla built and his contribution to your home state and just music itself?

LP: The first time I heard about Dilla was around 2008 and a producer friend of mind  let me listen to him and it took a while to get into my system because I wasn’t really into that boom-bap soulistic style. But one thing about music is you have to open your soul up to it in order to receive it and once I did, I really see the time and effort he took to learn music and develop his sound and it made a huge impression on me.

OTT: Let’s talk about your project now…what is GOLD?

LP: Gold….. I want to describe it as an opportunity. With this project I want Gold to pertain to worth as in worth of self not so much materialistic . I dropped Gold around April 1. I wanted to get a bunch of creators around the area and like put together an orchestra that would display to the audience the worth of these independent artist in the area. That is what I wanted to display on Gold and then again my entire album.

OTT: Lastly, where can old and new fans purchase your music?

LP: Apple Music man, they can purchase the single on iTunes and mostly all of your favorite other steaming companies. Please get the word out and it is definitely appreciated. They can see my videos on YouTube under Louis Picasso and they can follow me on Instagram under @LouisPicasso. Thank you for having me fam.

OTT: We appreciate you as well. Best wishes on all of your music endeavors.

@DJLAYNELUV

@StraightOfficialMag

@FleetDJs

 

 

 

 

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Exclusive! DJ Layne Luv Chops it up with The Legendary Large Professor

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When you become a journalist, you quickly come to realize that not all interviews are created equal. When I came to know the one they call Large Professor, I’m sure I stereotyped him along with the rest of the world. He didn’t look like Run DMC, Ice T or KRS-One. But he didn’t have to because before his release, The Native Tongues featuring A Tribe Called Quest and De La Soul, helped us to embrace difference in Hip Hop. So when we saw the intelligent hoodlum from Queens on our tv set, it made us pause to get past the Poindexter glasses to listen to what the rapper really had to say. Not to mention, with songs like “Looking At The Front Door” “Fakin The Funk” & “Live At The Bar B Que” you couldn’t deny his raw talent. Who knew that he would go on to be a fraction of the dynamic production squad that would produce THE hip-hop classic Nas’s Illmatic. Large Professor is the name you mention in certain hip hop circles when you want to impress high ranking hip-hop scholars.

While watching certain Hip Hop documentaries such as ATCQ’s Beats, Rhymes Life, Memories of Paul C McKasty & Nas’s Illmatic and a host of others, you’ll notice that they don’t get Large Professors inputs because of what he’s heard, they look to get his input because he was there. Right smack dab in the middle of The Golden Era. Right in the midst of New York’s comeback. Right in the midst of the beef between Jay and Nas. He’s always honored as being a dope lyricist and a phenomenal producer. To snag an interview with him is like a Jedi grabbing wisdom from Yoda.

Sidenote: As fate would have it, energy is real, and whether good or bad, it transfers. The day of our interview, I was not having a very good day, but I had already rescheduled the interview the day before, and there was no way I was going to stall The Legend a second day. So I set all of my recording equipment up the way I normally do and wait until Large Pro calls. As we’re going thru the interview, I’m hearing my mixer shorting. I’m sweating, and I almost break down because in all things, I love to present professionalism and I don’t want him to know something is wrong. After 6 minutes, my mixer shorts out completely and I had to go super old school and write everything out short hand. After 11 min we both agreed it was time to take what I had and make it work. Never the less it was a classic interview, and I would have even appreciated 2 minutes with The Legendary Large Professor.

OTT: First of all can I say, what a privilege it is to have an exclusive interview wit da hip hop god, but seriously I want to thank you for all you’ve done for this culture. I want to start off by talking about the love you get overseas vs. the love you get on your homeland. As I follow you on your page, I’m always seeing someone fly you out to do a show overseas. There are many stories of artists like yourself that are rockstars in the UK, Africa and especially China & Japan…why is that?

ExtraP: Well that’s simple. As with anything that is rare is treasured. Those countries didn’t get to see Hip Hop in it’s truest form on a regular basis. At home, you might see me and Mr. Cheeks hangin out on a corner at a bodega or in a club. You have people in America that actually watched us grown from nothing to somethings. Over there, all they have is what they see on tv. They know that Hip Hop started in America, so they pay homage to that. They collect and take care of the records we made that are classics to them. The US is just so used to seeing one artist after another; we can get a little spoiled. And furthermore, we don’t even carry ourselves like that at home. Cats over here might see us in the park and be like “Boom, yo there go Large Professor” and just leave it at that. As to over there, a cat may be in awe because it’s not every day you gonna see a cat like Raekwon just randomly walking down the street.

One more thing, they cherish their history over there. For example, overseas, they keep their historical buildings alive. Over here we can have a monumental building today, and it will be a parking lot tomorrow. But there they keep their traditions alive as the same with Hip Hop.

OTT: With your legendary status in the game, Large Pro…how do you stay so humble? I mean you still touch the people in a way like you never had hit records and like your name doesn’t ring bells in this culture.

ExtraP: Yeah, but see the whole thing about it, with you saying that, be clear, It’s About The Culture! It’s the culture that keeps me humble because this is what we do! Just like families have family traditions to it’s just certain things they do as a family. Nobody’s a star at the family table right? That’s what it is in Hip Hop. In fact, people look at you strangely when you on that. This is what we relay when we’re in a place like Australia. It’s like, I’m no different than you, I just have a story to tell.

OTT: We know you for being in the legendary group Main Source, but you are a legendary producer as well. When you’re are producing, do you get into all the latest gadgetry or do you like to keep it classic?

ExtraP: Akai MPC 1000 is my weapon of choice man. I mean don’t get me wrong, I can still nerd out on you if the conversation calls for that, but if you’re not a producer, then I’ll just keep it simple and say MPC. Hahahaha.

OTT: As I follow your page and Mr. Cheeks page, I see a lot of Queens rappers unifying lately, such as recording, doing shows together and just altogether hanging out. What sparked that?

ExtraP: Whoa! Be clear…Like there was never a time where that didn’t happen. Just yesterday It was me, Cheeks and Nas in the studio building. Through that building can come a session, through that session can come a song or a single. You just never know. We come together for the music man! It’s like wine tasting amongst brethren. It’s like sitting on stoop do0-wopping. We come from the same place, so we’re always going to have that connection.

OTT: Large, you were on the Beats Rhymes and Life documentary. Considering Tribe is from Queens, what are your thoughts on the memory of Phife Dawg.

ExtraP: Dang man….ummmm what can I say. Phife was……Damn man…..Phife was what I call The Perfect Trooper. He the type where you look at him like, you he knows where he’s headed and how he wants things to be. A level headed person. Real cool cat. Phife was my guy. Damn man…The Perfect Trooper that’s all I want to say about that.

OTT: Lastly Large….20, 30 years from now, what do you want your legacy to look like?

ExtraP: I can’t answer that B. I’m still adding to the culture. It would be a different story if I was done but I’m not. Right now I’m still creating; I’m still digging, still doing shows and still building my relationships like no one even knows my history. People can have their opinions about the culture, but if you’re not actively adding to the culture then what’s the point? People can say this and that about what I’ve done and what I haven’t done, but to the people that know me and love me…..I’m just Large P man.

@PLargePro

@DJLAYNELUV

@StraightOfficialMag

@UptownWeekly

@StateOfHipHop

 

 

 

 

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@DJLayneLuv Chops It up with Buddy Wike of 90’s R&B Group Intro Pt 1.

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The early 90’s still brought about a plethora of R&B singing groups. The funny thing about the R&B groups of the 90’s, is that they started to separate themselves from the Jheri curl & sequin suits era. Out of the blue, you started noticing singers wearing baseball hats and jerseys. When they would show up to perform at shows, you thought groups like Jodeci were going to sing not rap. This new style brought about a coined term from Sean “Puffy” Combs called Hip Hop Soul. All of the sudden, the radio was filled with songs that had “The Funky Drummer” sample with singers that had church harmonies in the background.

In the summer of 1993, I was in Virginia. Boyz II Men and Jodeci were still preparing for their sophomore releases, and besides SWV blowing up the airwaves, this blaring tenor was coming from the jeeps screaming “I Want To Be The One…Leeeet Me Be!” Now R&B songs sounding like church songs were nothing new, but this voice sounded like no other. It was the legendary Kenny Greene pleading with the Hip Hop soul gods to be the next voice. And for the next year, he was. Songs like Come Inside and Don’t Leave Me were on a number of slow jam mixtapes.

This story has a common thread among singing groups as with any story on UnSung. The rise to power where you are riding high, to the tragedies of that same star power waining because of the gravity theory, what goes up must come down. From the lack of enthusiasm of the labels marketing to group members going in different directions, it’s just the natural progression of singing groups. However, the unsettling thing is, that 90’s lead singers were passing away around the turn of the century at an alarming rate like an omen or curse. Tony Thompson of Hi-Five, Dino of H-Town, Left Eye of TLC, Orish Grinstead of 702 and unfortunately the group Intro was not spared that fate. Kenny Green passed away in 2001 from complications of the disease known as AIDS. Since then, the group has gone through some lead singers, that didn’t prove successful until they came up with the lightbulb conclusion that Kenny simply could not be replaced and so Intro decided to take the music in another direction while still keeping the core sound and audience.

Buddy Wike the original and founding member of the group tells Part 1 of this Amazing story as On The Table takes a closer look at what happened to the group Intro.

OTT: Thank you so much for taking out your time to speak with us. How did the group intro come about?

BW: Thank you so much for sharing your platform with me. Well, we have to go back to Fort Bragg North Carolina when I was in the military.  I met Kenny Thomas, and he told me about this kid named Kenny Greene that could sing real good. He knew I played piano and figured there might be something we could come up with. So we ended up linking on a Sunday writing a bunch of songs. We started out recording rap and house songs for a small indie label. Ned Pdub Brown was our lead rapper in the group. I was doing the tracks, Kenny was doing the background and lead vocals and Nelson was doing backgrounds and rap parts. Soon after that, next thing you know… Desert Storm/ Gulf War broke out and I ended up being deployed. Long story short, while I was in the desert, someone sent me a tape of Lalah Hathaway, and it was all I played. What struck me was, that Lalah reminded me of Kenny a great deal. While I was there, I kept saying, “If I ever get back in touch with dude, we’re going to make something happen.” Once I got back in town, it took about six months, but we linked back up and started working. Through another friend that used to dance with Kwame, I linked up with Jeff Sanders that could dance real good. I couldn’t dance that well but Jeff brought me along. Through that particular chemistry and hangin out, we became a group. We all had the same vision. TO BECOME STARS!

OTT: So tell us how super producer Eddie F of Heavy D & The Boyz found you guys…

BW: Hahaha. What people don’t know is, Heavy (RIP) found us first and then sent us to see Eddie. This was way before Heavy started managing groups like Soul IV Real.

One night Jeff took us to this club called The Red Zone in New York, and on our way, we had been singing Peaceful Journey, (RIP T-Roy) one of Heavy’s songs. It just so happens Heavy D was there that night, so when we saw him we were just like “This is our chance, what better time than to just sing for him right now!” He really dug it. He took our number and told us to call Eddie F because he had a production company called The Untouchables. So when the next week came around, we thought we were gonna meet with these corporate heads and listen to demo tapes all day. Nah, Eddie was real chill. He told us to wait in the studio while he ran to Sam Ash. Once he got back, we sang for him; we were in the studio with Jeff Redd the very next day doing the remix to You Called and Told Me.

So the day after that, we went over to Eddie’s house, and when we walk in, there’s this girl sitting on Eddie’s couch. I’d never seen her before, but she was mad cool. We said “Wassup” …she said “Hey guys what’s up” and from there, we ended up writing and collabing on a lot of songs. From that point, Eddie puts us in the studio with her, and we pen and record 3 to 4 songs with her. That started the birth of what is known today as Hip Hip soul, and what became of those sessions was the album we all know. What’s The 411? and the lady I’m talking about is none other than Mary J. Blige…….

This concludes Part 1….Please check in next week for Part 2 of this Amazing story!!!

@DJLAYNELUV

@StraightOfficialMag

@BuddyWike

 

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