Fleet Features

[Fleet DJ’s] New Fleet Dj featured member “Dj Kure”


DJ KURE started off DJing in his small kitchen with a crowd of two. He bought his equipment on Craigslist and thought that if he practiced enough, he would get better. It took a lot of YouTube videos and long nights of practicing until it clicked for him. That’s when DJ Kure was born.

From his kitchen, DJ Kure went to South Korea for a year and started booking gigs in bars and clubs. In that year, he honed his craft and learned a lot about DJing and himself as a DJ. After his year in South Korea, DJ Kure moved to Tacoma, Washington, where he currently resides, and linked up with the DJ community there and has had many gigs there. From birthday parties to silent parties to DJing for national acts such as Caskey and The Dogg Pound.

DJ KURE has always had a wide range of interest, with music being one of the biggest. Ask him about his favorite song, and you won’t get an answer because like music, it is always changing. DJ KURE does not DJ within just one genre. He likes to keep his range of music wide from trap to house to hip-hop and beyond, to keep himself ready for any gig.

Currently, DJ KURE is in deployed to the Middle East serving our country. He works six days a week, doing 12-hour shifts, but he still finds time to spin on Friday nights at an on-base club. When he gets back to the states, he has plans to have live streams on Facebook and Instagram and podcasts with IndustryTap to push both himself and music culture forward. He will be releasing more mixtapes and gearing up for his first album. He will also work with some regional artist. When DJ Kure gets back, he will be DJing at some of the northwest regions hottest venues. To stay up to date with anything DJ KURE related, follow him on social media @IAMDJKURE or check out his website:

(850) 566-5905
2018 KURE The World

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[Fleet Dj’s] featured Radio Mix “Dj Skinny”


You think you’re gonna hear hip hop on your local radio station? Nope! So why not tune into the Thursday Nite Mixtape on Fleet DJ Radio with DJ Skinny playing that heat for the streets every thursday night indie, unsigned and mainstream 10p-12a [est] [Fleet DJ Radio channel]

The Thursday Nite Mixtape show is monitored by Digital Radio Tracker [@digitalradiotracker] so make your streams count and get it on the show where streams matter!

For music submission contact DJ Skinny on Instagram at @skinnycandj or @thursdaynitemixtape No trap music 🚫!

Also follow DJ Skinny on mixcloud for the mixshow replays

Dj Skinny
Dj Skinny is on Mixcloud. Listen for free to their radio shows, DJ mix sets and Podcasts

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[Event] Fleet dj’s of Georgia present Media Pass spotlight artist “King David”

King David

The Fleet DJs of Georgia aired their monthly show The Media Pass on February 20th, 2018 that specially featured the upcoming rising star King David @ChampWilson. He has a new single called “Malcolm X” that Fleet DJs Georgia will consistently promote.
King David was born David Wilson, and the Lord blessed him with a wide array of talents. He is able to reach deep within the heart of his audience with his insightful speeches, but he is also a gifted musician and heartfelt poet. His blend of rap borders with poetry and his lyrics have a very uplifting and inspirational power that connects with all people, regardless of their age, background or taste in music. King David Wilson has been releasing promo clips for tracks on his upcoming debut album, The Champion, leaving fans in anticipation for the first video to drop. David released his video for previous single, ‘Rise Up,’ available on iTunes and other streaming services.
The video itself – directed, shot, and edited by Mshon P- captures the spirit of the city and courses through several locations in Atlanta; alternating with shots of city landmarks as well as Atlanta’s biggest fans – Falcon’s fans.

If the inspiring and uplifting tone sounds familiar, it is because King David is part of a generation of producers/rappers connecting the dots between Gospel and Hip-hop. He has in essence taken the sound and attitude of hip-hop and incorporated it into his work. Take for example Kirk Franklin who has appeared on albums with Kanye West and Chance the Rapper. There exists a natural kinship that creates an atmosphere for artists like Kirk Franklin, Kendrick Lamar, and King David to endow as well as an unconventional way to express faith and send a message.

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[Event] Fleet dj’s of Georgia Present “Media Pass” featured artist Jeff Chery

Jeff Chery

The Fleet DJs of Georgia aired their monthly show The Media Pass on February 20th, 2018 that specially featured the upcoming rising star Jeff Chery @JeffChery. He has a new single called “Price Tag” that Fleet DJs Georgia will consistently promote and assist to become a hit!
Jeff Chery, also known as the Haitian Mufasa, is hip hop’s newest
and fastest growing sensation! Having migrated from Haiti to
Brooklyn, NY at age 6, then moving to Atlanta, GA in his early 20’s,
Jeff Chery is boundless and so is his sound. His music is a beautiful
combination of colorful Haitian rhythms, traditional east coast grit
and the melodic bass of the Dirty South. His Haitian roots gives him
a sense of pride, will and determination that keeps him grounded,
while his American upbringing has helped him to develop the
boldness and audacity needed to stand out in this game.
And stand out he has! Jeff Chery is recently being featured on the
new VH1 television series Signed, a show where 3 music moguls,
Lenny S (Roc Nation), Rick Ross (Maybach Music) and The Dream
(Radio Killa Records) work to develop unsigned artists and turn
them into potential stars. The winners will ultimately have an
opportunity to be signed to a record label. Chery’s dauntless
personality, raw energy and overall lyrical prowess got the attention
of Rick Ross, who added a verse to Chery’s single “What You
In the meantime, while the show is airing, Chery is continuing to
work on his music. His latest project, Roam, is not only a lyrical
expression of who he is as an artist, it’s also his verbal testimony,
detailing the hardships, trials and tribulations that most independent
music artists go through on their journey towards success. So please
stay tuned in to the Jeff Chery experience, for it is indeed a larger
than life roller coaster ride; gritty, fun, very personal and drippin’ in

Jeff Chery “The Haitian Mufasa”
Soundcloud: jeffchery
Facebook: Jeff Chery
Twitter: jeffchery
Instagram: jeffchery

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HeadKrack is an American media personality, actor, DJ and hip-hop artist. He is currently a co-host on the nationally syndicated Rickey Smiley Morning Show that is featured in over 70 markets. The Bronx native has had an exceptional radio career which initially began with his #1 rated night time slot at 97.9 FM The Beat in Dallas.

“KRACK” also has an extensive resume as a hip-hop performer having already completed tours with with some of the of the biggest names in the game and has performed at festivals including the Vans Warped Tour, A3C, SXSW, his own American B-Boys in London Tours and a long list of high profile concerts and events. In 2010 Headkrack plowed through all competition to win Atlanta’s 2010 RedBull Emsee Battle. His buzzing progressive hip-hop group, The Bodega Brovas, has released a critically acclaimed LP “L.G.A. (Loaded Guns and Alcohol)” and has spent portions of the the last 7 years touring overseas and in the US. In addition to working on the next group project, Krack is also preparing to release his solo album “The Rain Maker” which is being spearheaded by the breakout single “All The Way Lit” featuring newcomer Mahdi.

His acting credentials continue to rise with standout performances in the Improvo Bravo and 4th Wall Comedy Troupe. Recent movie projects also include roles in “Black Angels” (2009), “Archer” (2015), The Real Housewives of Atlanta (2014), The Nationally Syndicated tv show “Dish Nation” (2011-Present) “Rickey Smiley For Real”, “Star” (2017) and various stage plays. In addition to being a creative voice-over character, he is frequently called upon to speak at youth events and motivational speaking engagements.

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Hey Young World! The Paragon Project by Delayne Whiteside


Have you ever been to a high school talent show and as the performers did their thing,  you knew that the potential was there in each and every kid, but the talent still needed to develop? Or let’s say you went to a high school musical and you were able to distinguish the high schoolers that took their craft seriously as opposed to the ones that needed that drama credit to graduate? Well that wasn’t the case when it came to the students of Fort Hayes Metropolitan Education Center last Friday. This vocational school in Columbus, Ohio offers career study in business and health, however the school is mostly known for it’s Performing & Visual arts. On Friday Jan. 5 2018 I was invited by The Maroon Arts Group to come check out the cd release for The Paragon Project. The students were chosen based on their talent and skill to contribute to this project. TPP is the  brainchild of Dr. Tony Anderson, that happens to be the assistant principal of Fort Hayes. Dr. Anderson is a part of the growing number of professionals that have played a major part in the Hip Hop industry in their younger years, and are now making contributions in education with the experience of their former music backgrounds. Anderson spent years on the management side and the production team of Hip Hop band The Roots before they went to late night television with Jimmy Fallon. He also received direct tutelage from the late Rich Nichols, (official manager of the The Roots.) Jason Rawls better known as J. Rawls, producer for hip hop greats such as Mos Def & Talib Kweli, is another hip hop icon of Columbus Ohio that just received his doctorate last year, and he has plans in the future of opening a grade school with a hip hop based curriculum. Kudos to them!

Anyway, getting back to the experience. Upon entering the auditorium of the Columbus Performing Arts Center on Franklin Ave., I was amazed at the turnout. There were people willing to stand in the aisles because the place was packed. “We were blown away by the turnout, I mean, we did all the due diligence in terms of marketing, but nothing prepared us for the wall to wall standing room turnout, the kids were definitely moved by it.” says Dr. Anderson. I walked in on a cover performance sung by MyKesha Corbin “Love On The Brain” originally performed by pop artist Rihanna. The crowd roared with excitement as the student body, that took up the first three rows, cheered her on. The next performance returned me into the b-boy of yesteryear. TPP did a cover of “Ain’t Nobody” by Chaka Khan and I commenced to pop locking right there in the rows. From there, the audience and I had one thing in common…we knew these kids were special and that was just the warm-up.

After a brief intermission filled with networking and fine cuisine provided by Willowbeez SoulVeg vegan eatery, the students took to the stage to present their original music. Mind you, being in this business for 21 years, I can usually tell the difference between locally recorded music and industry production. I was astonished. Every track I heard felt like it belonged on the radio or in a motion picture score. What was more intriguing was the videos that told the stories behind the songs. Each student received a chance to interpret the song for the listening audience. One particular song resonated with me. Get Back To Me by Abby Deneke is on constant repeat in my playlist. Not only is the song remarkably written, the production and arrangement would give SZA or Kehlani a run for their money. The song talks about making a decision to separate yourself from something or someone you love to regain yourself and your focus back. “Sometimes we love something too much and we end up losing ourselves. I wrote this song based on something personal I was dealing with, and creating it served as a bit of therapy for me” says Deneke. The next song I enjoyed off of the cd was “We Go High”. It’s a fun song with a house tempo by Pia Monagan. The songs takes it’s cues from the Michelle Obama speech during the 2016 presidential campaign. Monagan cleverly infused Obama’s speech into her song. “We really invested in breakout sessions and presented round table discussions to get the kids to open up and be themselves. That allowed them to move freely in their craft.” says Dr. Anderson 

DJ Mr. King from Power 107.5fm (WCKX) hosted the evening and was quite supportive of the youth. “I wanted to come from behind that curtain and start dancing with them” say King. One parent said “Their level of talent is unbelievable. While some children are thinking about new outfits or the next party, these kids work tirelessly to hone their skill and continue to advance. If they stick with it, their dedication will take them far.”

The Paragon Project project is being well received by a number of media outlets around Central Ohio and across the nation. Dr. Tony Anderson is dedicated to seeing his students learn not only their craft, but the music business as well. He says in closing “Rich Nichols (RIP) manager of The Roots was my mentor. He was so wise, not only about the business, but his philosophies dealing with life were awesome. He taught me things no book can teach you about this industry. Little pieces of information he dropped on me I still use to this day. I’m  just looking to impart that same wisdom into my kids. I’m very proud at what they have accomplished” 

The Paragon Project is a great musical investment. It is now available on all streaming sites. And for all you  music snobs, it will be a great way to brag, knowing you may have a piece of artistry before any of these artists actually become rich and famous.





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The Spaceship Ride Wit The New ATLA..iens by DJ Layne Luv

Daz & Gipp 2gether

Ok so I’m working in my office in the official blogging headquarters of WTMH Radio/StraightOfficial Ohio/State Of Hip and I’m in one of those blah moods. All of the sudden my Telegram alerts are lighting up out of control. It’s the CEO of The Fleet DJ’s Klassik and he wants to know if I’d be available to interview Daz Dillinger of The Dogg Pound and Big Gipp of Goodie Mob. He said “Yo! I’m giving this to you because you really know how to put together great interviews…don’t let me down” But that’s not what I’m thinking… My mind automatically goes back to being in Sigonella Italy in January of 1993 and having two tapes in my walkman to get me through a Naval tour. Dr. Dre’s The Chronic and Redman’s Whut Thee Album. Then in 1995,  the month I’m released from the Navy…I’m in the post office hating life and the only two tapes that get me through are Goodie Mob’s Soul Food and D’angelo’s Brown Sugar. So to be able to talk to these guys was more than an honor…they really shaped my young adult life.

It’s 2pm Eastern time and the phone rings promptly. I look on the caller ID and immediately I see it’s a Los Angeles California number. Presumptuous I just answer..”Dat Nigga Daz!”….and in true Long Beach vernacular he replies “Whaddup homie?” I want to continue the conversation but I can’t stop smiling. This is gonna be a true “for the culture” phone call. These two were right in the middle of Hip Hop when it shifted in 1995 from East and West coast prominence to The South Uprising. But to see The South and West collaborate under one groove….DJ Layne Luv is here for this.

SO: Let’s just skip all the propers…how did y’all two muh fuchas decide to get together one day and make some music?

Bigg Gipp: Man Daz jus called me up one morning and said let’s make some music. I showed up..DJ Funky and Cool Dolla and Henry West was in there already cookin.. Then I heard the beat. I instantly loved it man. Daz made the hook…I went outside…when I come back in he had the hook and the verse laid. But I wasn’t ready. So I smoked a blunt..took it home and sat on it for a day or two…came back to the studio. Daz said you ready and I said yeah I’m ready…laid down the verse and the finished product was Type Of Girl. That was the first song we did.

SO: I’m very skeptical when veterans come back and make music because there is a dilemma of walking away from the game holding the hand in the air for The Final Shot…preserving the legacy versus coming back in a Washington Wizards Jersey. But Type Of Girl seems to fit right in with the music we are hearing today. How does feel to still be in touch with what’s going on?

Daz: I’m not gonna lie, it feels great! To still be able to do what you love and the people still respond to it with approval. We just keep thriving. As long as you have a good heart, you breathing and your health is good..from that point it’s about elevatin the game. And staying consistent. I’ve alway been able to be myself no matter where I’m at and I’m grateful for that.

SO: Man when I reminisce on how LA music make me feel and how Dungeon Family music made me feel, it just feels like a good a backyard cookout…blended with a lot of herbal essence as the elixir….does that help with the vibe of the records you all put out?

DAZ: Man we are doing just that right now as we speak (Laughter in the background from all the niggas in the studio hahaha) DJ Marijuana is IN THE HOUSE….(I can’t control my laughter at this point) Seriously it doesn’t help it or hurt it, It’s helps most rappers to relax so the thoughts and creativity and push through. You can smoke weed and still make a wack song, we just happen to be good and what we do and the weed helps with that.

SO: So Daz as good as you are a rapper, you’re also one hell of a producer and you’ve engineered some classic West Coast bangers…one of my favorites being Tupac’s “Got My Mind Made Up” two questions. Who’s producing your music now and tell our audience what it was like working under the tutelage of Dr. Dre?

DAZ: So Cool Dolla is our producer right now but we are working with anyone that got heat for real…

But when you talk about Dre and those years…whew….Man at first I was just puttin shit together that I thought sounded good. And then Dre would walk by the studio and say…I like this…or I don’t like that and I was just in there learning from him. But it all changed the day he said “Here Daz, I’ll let you use my drum machine” I don’t know what happened but from that one thing…it all changed and I created Rat A Tat Tat and all that shit…but seriously Warren G is who helped me get the most out of Dre’s drum machine. But Dre showed me how to put the beat on tracks and put stuff around it to make the beat sound fuller. Dre helped me out a lot.

SO: SO Gipp being that ATL has been a residence in the rap game for more than a decade going on two…how do you feel that your city has had such a long reign in music? It was a time that Hip Hop bounced around every ten years or so, but it seems that ATL has a stronghold on the game right now. How do you feel about that?

GIPP: It feels great, how these kids are taking the foundation that The Dungeon Family started and taking the ball and running with with. You see down south, we encourage growth, so when we see these kids creating, making their own beats and creating their own sound, that’s what keeps the music going for us…and quite frankly…as long as there is STRIP CLUBS…you always gonna hear ATL music. (A Loud laughter in the studio again) You can tell when you got a when them strippers start moving to it. Our music is a music that transcends gender or race. It’s family and it’s hood. I got nothing but respect for these young millionaires Migos, Metro Boomin, Mike Will Made It, Future, Young Thug, South Side, Colli Park they continue to push the culture by taking this music worldwide. I love it.

SO: So Gipp let me take you back to The Source Awards in 95′ . When 3 Stacks said “The South Got Something to say” Did you even guess that those words would be prophetic and set off the ATL revolution?

GIPP: Man to tell you the truth, I was on stage with him and I couldn’t hear let alone focus on what Dre was saying. We was all in fight mode. It was so rowdy and noisy in there, you could feel the tension to the point where any and everything could have jumped off… and we was ready. We was all on the defensive at that moment so I didn’t really hear what Dre said until years later when I saw the tape. But looking back, yes it was prophetic and I’m glad he said it, because the south took that baton and we never looked back.

SO: SO when can we expect the full album fellas?

DAZ: Late winter, early spring…just in time for them coasters and them honeys. ATLA baby!!!

SO: Well I thank y’all for taking time out of yall’s studio session to holler at ya boy. Much success to you both bringing the south and the west together to stir up a good pot of gumbo.

DAZ: Thank you Layne Luv and Straight Official for having us and big shout out to The Fleet DJ’s for playing our music!!! Much Respect!!! Respect The DJ!









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[INTERVIEW] Nia Boom chops it up! w/ Big Gipp x Daz Dillinger


Heey Whats good yall, its been a minute but Im back with a dope interview with the legendary Big Gipp from Goodie Mob and Daz Dillinger from the infamous “Tha Dogg Pound”. We talked about how they got together for their latest project, The industry and of course some fun questions 🙂 Listen, comment, Share Til next time Be Greater than Peeeeeacce!




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Master Class: Duane DaRock by DJ Layne Luv

Duane DaRock Long Way

Napoleon Hill goes on record with his book Think And Grow Rich telling the reader the very day he was sent on a mission to seek out the most successful people in the nation at that time, and develop a formula for how they became that way. The proposition was set by steel giant Andrew Carnegie. The two things I took from that fateful encounter is that successful men act quickly and change their minds slowly. 2nd, is belief,  will take you further than you can ever imagine. My point is, had Napoleon Hill let the knock of opportunity pass him by, by not recognizing a jewel (opportunity) handed to him from greatness, he might have robbed the world of some of the greatest entrepreneurs of our time inspired by his book. In July of 2017, in a conference room in Raleigh North Carolina, filled with DJ’s and radio personalities, I also felt the knock of opportunity when I heard the story of Duane DaRock…as told by Duane DaRock, and my journey has not been the same since. When he told the story of being homeless, I was at the time on the verge of being homeless and I didn’t know how I was going to get to North Carolina, let alone eat while I was down there. But one week before his breaking point…his life changed. One chance meeting with a legendary rapper solidified his place in music history. Ladies and Gentleman… Legendary Producer Duane DaRock.

SO: Mr. DaRock, so glad you could join Straight Official today. When you spoke at the Fleet Music Conference this past summer, you had something different to say vs, just talking about the music business itself, you wanted to drive home positive energy and vibrations. What made those things the forefront of your message?

DD: Well I’ve known about the power of vibration since I was 4 years old and the gift that came with that was being in tune with the vibrations of the universe and whatever you think about you bring about. The game changer for me was when my grandfather died when I was 12, that’s when I jumped in the music business which makes 32 years being in the music game. I will solely accredit the things I’ve accomplished in this business based on it being all about positive energy, good vibrations.

SO: So where did determination play a factor in your will to make it in the music business?

DD: Like I said I knew at the age of 12 what I wanted to do, so I let nothing or no one take me off of that path. So in 93′ I started producing records with the help of a man by the name of Steven Brown. He was a jazz musician. What happened was, I couldn’t find anyone to make beats for me being that I was from the Boston area. So I learned what I could until eventually I became self contained until the fateful day I met Big Daddy Kane. From there I started producing beats for Digable Planets, Kool Moe Dee, Rakim, LL Cool J and the list goes on.

SO: I know the story , but for those that need to hear this, tell the inspiring story of how you met Big Daddy Kane.

DD: Ok so I was homeless. My girl kicked me out and I was bouncing from place to place and I was starving. I was starving to the point my homie said I needed to go get some food assistance. I got all the way there and something came over me and I said NO! I’m dope…I’m dope. I went home to make some rice because it’s all I had to eat….as I’m pouring the rice in the pot, a jar from the cabinet falls and breaks into the pot of rice. I pick out the big pieces but mind you the little pieces are still in there, I literally ate glass that night. This sparked not only a fire but a fearlessness in me. About a week later, I went to the Big Daddy Kane concert on a mission to let Kane hear my beats. I tell the security that I’m one of Kane’s dancers. Security wasn’t having it. So as fate would have it, a fight broke out distracting security and so I ran. I didn’t know where I was running to, but I ran right into the back of Big Daddy Kane. I told him what I did and he listened to the beats. While he’s doing this, I can see security coming to get me. And in true Kane cool fashion. He gives this look to say, “Can’t you see he’s with me?” The very next day I’m in the studio with Kane and I’m officially in the music business. But let’s be clear…I’ve been homeless even two other times after that. I’ve made money, lost it, made it again. It was a clear lesson from God to stay humble. The Lord giveth and he taketh away.

SO: You and Jadakiss seem to have a trusting working relationship. How did that come about?

DD: I met Jadakiss through the actor Duane Martin. I did a song for a movie called Hustle and Heat. Duane Martin and Jadakiss both played in that movie, so through working together, we just kept building until eventually we ended up doing the song Letter To Big with Faith Evans which ended being the main song on the Biggie movie. But let me backtrack. I met Faith one night because I was hungry and I listened to my craving and went to Fat Burger. What I thought was a craving, was in fact that I was being guided by the vibrations. When I saw her, I told her about my studio, she came back and heard a couple tracks and that night I penned the hook to Letter To Big.

SO: What do you say to the theory that people sell their souls to get into the music industry?

DD: First of all, your soul is not for sale, so you can’t literally sell your soul. But I will say that when you go against who you are to gain some sort of stardom or unearned favor, you are then going against who you are morally and that’s why you see the heavy drugs and heavy drinking because some people in the industry have made deals that compromise who they were, so they drink to escape their now reality. You can be in this business without succumbing to the tricks of people trying to tap into your inner core of who you are. But thats why you have to operate on a high vibration so you can recognize and avoid that trap.

“When you link with demonic forces for superficial gain, you go against the will of God and that’s what selling your soul means to me.” -Duane DaRock

SO: Who’s responsible for how you ethically move throughout the music business and keep your integrity?

DD: HAHAHAHA make sure you put this in there. And put my laugh in big bold letter too. There so many artists today that wouldn’t have gotten where they are without the people they shitted on, pimped and played. A lot of ghost writers and ghost producers will never see the light of day. They receive no credit and are getting robbed regularly. But these are they same people responsible for the success you see in today’s artists. A lot of people at the top…stole their way to the top. There are a lot of wolves in this industry, but I consider myself a lion. A Lion moves gracefully and knows it rules that land. A Lion commands and takes what he wants when he is hungry. A wolf plots, plans and preys on anything weaker. A wolf is constantly looking to devour, a Lion attacks only when necessary .

SO: What’s your final word for today’s up and coming musicians?

DD: When you’re tapped in to your inner guidance, it will tell you what you need to do. Stop saying “I’m chasing my dreams.” If someone tells you to “Chase your dreams” smack the shit out of em. Anything you are chasing is obviously running away from you. The words you want to use is that I’m attracting my reality…I am manifesting my dreams. You’re talking about the guy that was homeless three times yet Kevin Hart used my song about struggle to be the main song for his movie. It can happen for you if you believe in yourself. I’m Duane DaRock and I stand by what I’ve said.













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[FEATURED ARTIST] E-Reign: The Future Of New York by DJ Layne Luv

E-Reign NYC

When a rapper dubs themselves the “future” of anything, best believe they have the confidence to know that the energy they are putting out foretells their success among the masses to come. It’s been a long time since New York City has held the crown as the reigning capital of rap music. Atlanta has held that title for a while judging by the amount of rappers that gets top priority radio spins and project sales. Even though the public may see the likes of Remy Ma, Nicki Minaj and now Cardi B all from New York getting their shine (Shout out to the leading ladies of rap right now)….however, it’s still many miles away… in fact light years from The Golden Era where 80 % of the industry rappers during that time were from New York.

Nowadays the internet has leveled the playing field for both rappers, producers and DJ’s and artists alike. The no longer need “the industry machine” behind them to be successful. Chance The Rapper has inspired so many independent artist to stay independent and E-Reign from Queens NY is no different. His grind is definitely being noticed on the east coast and he’s hustling everyday to become known in other states across the nation. The young rapper has the business savvy to put together independent tours with him as the headliner. From high quality music videos to riot energy live shows….E-Reign will definitely have the masses paying attention real soon.

Ladies and Gentleman… E-Reign.

SO: Glad you could join us man. Let’s just get right into it. On a lot of your promotions I see the slogan “Future of New York” ..for the audience, what does that mean?

ER: My team and myself, are just trying to bring something new and fresh to the table. That slogan is meant to inspire no matter where you’re from. I know some people might see that term as something braggadocio, but I’m not just talking about myself. I’m putting on for my city but I’m putting that energy out there to the world. I’m talking about my generation, my culture. So much pressure is put on us millennials to adapt to what was…and we don’t want to be told what represents us…WE want to establish what represents us and for that to be embraced. I may articulate that in a different way as opposed to someone down in Atlanta, but we are basically saying the same thing…we are the future…hate it or love it.

SO: I’m noticing most successful independent artist have a strong team behind them. How do you keep your team focused and on the same page?

ER: Yeah man, the key to a lot of it is staying true and loyal to those you started from the bottom with. From there I tend to keep a lot of things in-house because the trust has already been established from way back. By learning each other…things gel together, like when you’re playing basketball…if I shoot that pass, I know who’s going to be there to catch it. Honesty, also goes a long way. You can’t have a lot of “Yes” people on your team. There has to be people in place to tell you the truth so you’re not out in public looking stupid.

SO: What other states do you feel like you’re getting traction in other than New York?

ER: We’re definitely making noise down in Philadelphia. North Carolina has shown me a lot of love and our new spot is Miami. We did a show down there and it was crazy so….and we continue to just keep networking with the brand so hopefully you know, by politickin wit you ….maybe we can get it in Ohio too haha. (pun intended)

SO: So what are you working on right now?

ER: So recently I just dropped my new mixtape The New York Times Vol 1., and so the team and I are promoting that real heavy,…. and then we’re also working on a single called “Whatchu Sayin” and we’re going to be shooting a video for that as well. Other than that , just continuing to tear down these live shows to give the people their money’s worth.

SO: Ok here’ s the typical cliche question LOL, Who would you say your music is influenced by?

ER: Tupac of course and Nas….Lyrical storytellers by far that not only cause you to think but through their rhymes you can see vividly the picture they are painting to the listener. And I mean of course the no-brainers being from New York…The Jay-Z’s and The Biggie’s of the world.

SO: Lastly, where can someone find your music?

ER: Very easy, go to or you can find my music on all streaming sites. iTunes, Tidal, Spotify, all the heavy hitters. I just want to show love and get some back you know?

SO: Well thank you for chopping it up with us. We are looking for gigantic things to happen for you in 2018

ER: Thank you for having me. I really appreciate it. One.







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