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[New Music] “Tantra” by Terrance Anderson @Terranceandersonfive

Tantra is the new single from R&B artist, Terrance Anderson. Produced by Zero Tha Composer, this hot new track is available now on Spotify, Apple Music, and Tidal.

Bio:
Terrance Anderson brings creativity to R&B through the uniqueness of his voice and creativity of pen. His ear for melody and uptempo beats is what easily captivates his audience. The start of his singing career began at local open mics in his hometown of Indianapolis; followed by many musical showcases in multiple cities of Chicago, Indianapolis and Atlanta, shining light on his pen and talent of songwriting through his work with other artists’ of Indianapolis. Terrance’s impressive songwriting remains consistent in passion along with his voice in emotion, which continues to captivate listeners. Using the rapper’s way of metaphors and symbols, Terrance brings with and coolness back to R&B. His newest single titled, “Tantra” is now available on all streaming platforms.

Terrance Anderson

Social Media:
Facebook: https://www.facebook.com/terranceandersonfive/
Instagram: @terranceandersonfive

Stay tuned for his interview on TAG Syndicated Radio on #TAGTuesdays, where we tag anything and everything that’s poppin.’

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*Press Play: I Look Up/ Capital P album review by DJ Layne Luv

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“….so where’s he from?” …”Delaware”…”The State?” ….”haha nah bro the city, right there from your state Ohio” This is how Capital P was presented to me via a constant DM on IG through his business partners. I must admit that for a few months, I didn’t follow up as well as I could have. Being a music critic and state manager for all of Ohio with The Fleet DJ’s, I tend to get a lot of submissions regularly. However, after I had a phone conversation with Byrd and Jamezz Bonn (Divine Engineering), I instantly felt a connection. They insisted that Capital P was the one that was going to make noise from Ohio. So I invited him up to the studio to kick it wit us just to see how he vibed with my crew. So one Wednesday, he came up to the WTMH Studio and right there on the spot, we said we were going to premier his single on our live Workout Wednesday broadcast just to see how our audience felt about his work. The single they submitted was El Hombre. I will testify, from the very first note we heard from that song, we were believers in this man’s music.

Being in this business for a while, a DJ hears a lot of music, so it really takes something special to keep an artist’s body of work from going in the pile and moving on. If you listen to Capital P’s / El Hombre first, you will be fooled into thinking he’s just another trap rapper no matter how great the song is. But when you play his entire album of Capital P/I Look Up  you’ll bear witness to artistry coming from the Delaware city. It will actually blindside you of how good Capital P really is. One of my favorite songs of the project Tuck It In takes you into the mind of a person that has seen a lot of ups and downs and of someone just trying to make sense of the world. The live guitar on this songs helps the listener drift from a stressful day into a bliss of funkdefied melody. It may actually be one of my most favorable tracks on the project.

Throughout the album you can hear the pain in the rapper’s voice. It’s a beautiful pain like that of a Bob Marley meets the rap-from-the gut-flow like Tupac Shakur. Not to even try to compare the Delaware rapper to these Legendary figures, it’s just that you can hear the same determination to change the minds in his songs. The song Good is a perfect example of that determination. As he says in the song…“I’m a get it till I’m good” the listener can truly understand Capital P will not stop until he sees some success for his labor. Once again I have to go back to the erie guitar riffs that wail, to paint the picture of a rapper with a big gift trying to push this sound out of his small city.

State of Mind you can hear Cap P making a statement. He is getting the listener to understand that the happening that go on in big cities happen right there in the city of Delaware. He wants the audience to not underestimate the crime and violence that happen where he is proud to be from. As the heroin epidemic continues to stay on the rise in Ohio, he is sounding the horn the same way Grandmaster Flash did with “The Message” when he said, “It’s like a jungle sometimes it makes me wonder how I keep from going under” State Of Mind takes you on a day in Delaware where anything can and will happen.

Tell You What… I’m predicting will be a “ladies” summer song for 2018 in the Midwest. It’s a melodic song where the rapper tries on his vocal skills for size and delivers nicely. It’s always been a formula for rappers to come out with the radio song right before the summer. This is that song. When Cap P actually played that song for me on my radio show, I asked him “So when do you come in on the song?” they all laugh and he says “That is me through the whole song” I’m like “That you singing?”….and he grins . That was another time when I became a believer in his music.

Overall, I give this album a high rating because of the production and arrangement of all the songs. It’s a solid project! You can tell time was taken on the mixing and mastering of all the songs. When I listened to this entire album, it’s like reading a book. The content has to be just as exciting as the title. I Look Up is just that exciting to listen to.

****

Out of 5 stars I would give it 4 based on production and lyrical content….5’s are given for classic albums and only the rest of the world can give him that. Let’s see if I Look Up is a game changer for OHIO.

-@DJLAYNELUV

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[NEW MIXTAPE] “Dave East” Paranoia 2

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After months of speculation and teasing the Harlem emcee has finally dropped his latest Mixtape “Paranoia 2”  aka P2  January 16th, 2018. P2 is the follow up to Paranoia: True Story which chronicled the rappers rise to fame and will serve as the precusor to his major label debut with Mass Appeal and Def Jam. The project received features from Tory Lanez,  T.I, Lloyd Banks Marsha Ambrosius and more giving us a multitude waves to ride.

The 15 track project produced by Buda and Grandz, !llmimd, Joe Joe Beats, Reazy Renegade, MP Williams, V Don, Humbeats, Rico Suave and  more is lyrically and instrumentally sound. East on his no holds bar as usual, penetrates with raw lyrics burrowed in hard hitting NY centric beats. Over all a solid project nonetheless no one track stands out, but some you might have on repeat (I did) are Corey, Annoying, Whatmademe, Violent, Maintain, Never Been. Each track has it own mind like when East breaks down the many different artists who have influenced and inspired him to make music on the introspective, “What Made Me,”  produced Citoonthebeat and his long-time producers Buda & Grandz. and “Talk to Big” a letter he wrote to the late Notorious B.I.G.

 

East kicked off the P2 tour on debut night right here in NYC! check him out in a city near you and purchase on iTunes and everywhere music is sold.

-BooM

Jan. 16 – New York, NY – Irving Plaza
Jan. 18 – Boston, MA – Paradise Rock Club
Jan. 19 – Baltimore, MD – Baltimore Soundstage
Jan. 21 – Atlanta, GA – The Loft
Jan. 23 – Houston, TX – The Studio at Warehouse Live
Jan. 24 – Dallas, TX – Trees
Jan. 26 – San Antonio, TX – Alamo City Music Hall
Jan. 28 – Scottsdale, AZ – Pub Rock
Jan. 29 – Santa Ana, CA – Constellation Room
Jan. 30 – Los Angeles, CA – El Rey Theatre (Click here to get tickets)
Feb. 1 – Sacramento, CA – Harlow’s Restaurant and Nightclub
Feb. 2 – Portland, OR – Peter’s Room
Feb. 3 – Seattle, WA – Studio Seven
Feb. 6 – Denver, CO – Bluebird Theater (Click here to get tickets)
Feb. 8 – Kansas City, MO – Riot Room

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WAKE UP & COOK UP WITH ZAYTOVEN

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Unless you’ve been under a rock these past 5 years; you have definitely heard the beats of none other than Zaytoven. The GRAMMY® Award-winning multiplatinum super producer, songwriter, and multi-instrumentalist Zaytoven released his new track “Wake Up & Cook Up” [feat. Quavo and 2 Chainz] at all digital retailers at the end of the year. It’s the second release under the partnership between his Familiar Territory Records and Motown

“Wake Up & Cook Up” draws heavily on the signature trap production that made Zaytoven a household name and with the help of Atlanta rap heavyweights Quavo and 2 Chainz delivers a powerful second single. “Wake Up & Cook Up.” sets the stage for the arrival of more new music very soon.

Between cooking up beats for hip-hop’s elite, Zaytoven remains immersed in the creative process behind his forthcoming full-length debut—out in 2018.         

            A true trendsetter, Zaytoven proved integral to the sonic architecture of the Atlanta scene with which he stands synonymous. His influence can easily be felt in nearly every corner of hip-hop and R&B. 2011 saw him win his first GRAMMY® for co-producing and writing “Papers” on Usher’s Raymond v. Raymond. Among countless multiplatinum productions for the likes of Gucci Mane and Migos, he teamed up with Future for seminal 2015 collaborative mixtape, Beast Mode. Everybody from Drake and Nicki Minaj to Rick Ross and Lil Yachty has sought him out.  

Unsurprisingly, his musical acumen encompasses more than just beat-making. Born in Germany, raised in San Francisco, and based in Atlanta, Zaytoven’s nickname pays homage to his piano virtuosity. VIBE has hailed him as “Atlanta’s true trap music pioneer” while Complex praised his “singular blend of layered, oscillating synth melodies, ominous organ chords, and booming low-end bass.” Founding Familiar Territory Records, he’s becoming a cultural tastemaker and entrepreneur in 2017 as well. 

You can listen to Zaytoven’s latest release here below

 

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Let’s Talk About Haven: Soul Singer Renee Dion speaks to DJ Layne Luv

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How do you really interpret being a fan of an artist you know personally? And how does one explain that fanship when you are involved in the inner circle of the artist movement within that city? Can one speak objectively without bias? I’ll try my best. I came to know of this female sultry soul singer by way of a poet I used to date. From her introduction, I grew to know of all of the players within that artsy scene from Wali Crowder (poet), to B Jazz and The Liquid Crystal Project to DJ Krate Digga (eclectic DJ) to Lawrence Lemon (dancer extraordinaire). But around 2011, Columbus Ohio was buzzing by the release of Eric Roberson’s Mr. Nice Guy. Of course the city of Columbus has an adoration for the grammy-nominated singer, but the talk was more that of his generosity, almost an ode if you will, to the place that continues to give him so much love. Roberson included most of the artist aforementioned on his project, and from there I started to hear more and more about the songstress they call Renee Dion who was also a feature on Mr. Nice Guy.

With each project released, with each live performance, I became more of a supporter of Dion’s movement. Even witnessing her sing the national anthem for our 44th president Barack Obama was nothing short of amazing. In 2014, she dropped her project Moonlight off at my radio show, and my crew at the time and I were blown away at the maturity of her sound. We played every track for the entire show. By that time Dion was gaining momentum on the music scene….then all of the sudden “POOF” she disappeared. For a year and a half I would see her appear at a few music events around town or see her with her students from my window at that bank I was working at. (she was a school teacher at a school next door). But still no spark of music until around the end of October 2017. I started hearing from her chief supporter (her husband) she had a project coming out. He showed up at the club passing out her project to all the DJ’s but I was on the set and by the time I got done, the project was sold out. I ended up having to wait for the release date to hear it, and believe you me it was worth the wait. Haven put me in a trance from the first track I played.

I’m the type of person that believes everyone has a path and I follow good energy, so when I heard that my long time friend Jonathan Baker helped out on a lot of the arrangements for Haven, it made perfect sense why I was drawn to this project. Baker is an extremely talented genuine guy. I also felt that Dion was coming from a personal place. She’s a private person, but if you follow her life on social media and in real life…you know she’s in love and she’s been in love for quite some time. A story that is very rare in this day and age. Dion and her husband Artist Eric Jefferson don’t do it for the vine either, their love story is real. Those that listen to Haven can feel that story in the songs. So if you are in love, looking to be in love , or you just simply have questions about it…you can use Haven as to what that looks like.

I caught up with the songstress and I wanted her to break down some key elements of this masterpiece. Without further adieu …..Renee Dion…..

SO: Hey Renee, considering I just interviewed a musician you know well Ill Poetic and him taking 10 years to finish his project, and knowing it took you a few years to complete Haven, explain how difficult the process is to bring about a project with the musicality both of your projects possess.

RD: Oooh wee! (laughs to self) well after Moonlight I sort of hit a brick wall and I had to ask myself the question all artist get to a point of asking. Do I want to keep doing this, or do I want to let this go and just stop? I then made a decision, and with my mouth I told my husband…”I’m done with music” and from there was an almost immediate shift in my life from health problems to personal relationships.. things were just off. Speaking to that, I learned that when we abandon our purpose and what God has given us to do, things will shift and things can change until we find that path again. So as I stated, I was going to walk away but something kept bringing me back to it, and more and more I began to  find inspiration. I was finding inspiration everywhere, from listening to my best friend T. Wong evolve to lyrics just coming to me out of no where…and I started thinking to myself like “Are we done?” So my husband and I turned one of our bedrooms into a recording studio and I began to tinker around, and from that, the creativity started flowing …like if you ever saw the movie with Bruce Leroy …I had the glow (we both crack up) but when I started to show these songs to Jonathan (Baker) …first of all this man is truly talented, but I truly love his musicianship, so when he began to add his musical flavor, that’s when Haven started coming to life.

SO: If I could give this album a positive critique, you sound the most confident on this album than your previous projects. Songs like Uno (I really like that song btw) have your signature sound, but you can also hear growth and confidence in these songs. What made the difference on you taking risk vocally on this project?

RD:  I would say, when you take ownership and responsibility from other people’s hands, no slight to any other producer I’ve worked with…but once I had to sit in this studio and hammer out these songs myself, and I had to figure out production nuances and truly trust myself to express what was coming from my heart, I would say the confidence to elevate happened organically from those experiences. If you really want to know who Renee Dion is…Listen to Haven. 

SO: Considering we’re saying goodbye to 2017…We had a number of bare-your-soul albums from music’s royal family The Carters. 4:44 setting the tone for truth in music. Listening to Haven you can hear these songs coming from a real place. Did your husband inspire those songs?

RD: Well, honestly speaking the entire album is about him. But it’s also about me, my relationship with God and my relationship with people. When it comes to my music, I’m attracted to really beautiful sounds, so sometimes the music can stand on it’s own and overshadow the lyrics based on the sounds I prefer. However on this project, if you stripped the production and listened to just the words, you’ll hear my vulnerability, my fears, my questions and me dealing with myself. I’m still continuing to learn how to be a wife, and my husband is still learning to be patient with me as I find my way, as I am with him and these thoughts are what come out in the music. Life is about continual self discovery.

SO: It seems like your songs speak to women in love or looking for love. In a time where trust in relationships is a rarity and often times scary, what would you say to those women looking for love in 2018?

RD: Wow that’s a deep question and loaded hahaha but I’ll try to answer. I’ll say this to my single women waiting for love. Don’t lose your affection, don’t lose your vulnerability by being guarded. What do they say, “you can’t receive a blessing with a closed fist”, so you have to remain open to love no matter how great the potential of you being hurt again. With each experience there is a lesson until you reach the destiny God has called you to reach. The problem lies for most people is that they look to all sorts of media like Facebook and Instagram and the wrong outlets for guides to relationships. However that is so far from the truth of what love really is.

Listen, people look at my husband and I funny because wherever they see me they see him and vice versa. If he has a showing I’m right there, if  I have a singing engagement he’s right there as my No. 1 supporter. And it’s not based on a level of insecurity. Our presence is a sense of protection in this crazy world. Furthermore, we enjoy each others company. I sometimes go to events and there are married women and men showing up to events by themselves and wonder why they get involved in single activities. Don’t get me wrong our marriage is still work but it’s less work when you work at it and stay in tune with your significant other. Recognizing and dealing with things when things are off are another way to build strong relationships. But people have to be willing to let go of pride and ego to accomplish that. Communication is Everything. Eric is my husband and I protect him and his art just like he does for me…that’s the best advice I can give Layne.

SO: Where can people purchase your music and what events do you have going on right now?

RD: So they can purchase the music on iTunes and we just did Healing Haven and The Black Infinity a few days ago but those events and more are the many things to come in 2018. Just follow me on Instagram and Twitter under @ReneeDionMusic and please visit my web page reneedion.com

SO: Thank you so much for spending the day with us. Haven is definitely a instant soul classic.

@DJLAYNELUV

@StraightOfficialMag

@FleetDJs

@StateOfHip_Hop

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The Spaceship Ride Wit The New ATLA..iens by DJ Layne Luv

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Ok so I’m working in my office in the official blogging headquarters of WTMH Radio/StraightOfficial Ohio/State Of Hip Hop.com and I’m in one of those blah moods. All of the sudden my Telegram alerts are lighting up out of control. It’s the CEO of The Fleet DJ’s Klassik and he wants to know if I’d be available to interview Daz Dillinger of The Dogg Pound and Big Gipp of Goodie Mob. He said “Yo! I’m giving this to you because you really know how to put together great interviews…don’t let me down” But that’s not what I’m thinking… My mind automatically goes back to being in Sigonella Italy in January of 1993 and having two tapes in my walkman to get me through a Naval tour. Dr. Dre’s The Chronic and Redman’s Whut Thee Album. Then in 1995,  the month I’m released from the Navy…I’m in the post office hating life and the only two tapes that get me through are Goodie Mob’s Soul Food and D’angelo’s Brown Sugar. So to be able to talk to these guys was more than an honor…they really shaped my young adult life.

It’s 2pm Eastern time and the phone rings promptly. I look on the caller ID and immediately I see it’s a Los Angeles California number. Presumptuous I just answer..”Dat Nigga Daz!”….and in true Long Beach vernacular he replies “Whaddup homie?” I want to continue the conversation but I can’t stop smiling. This is gonna be a true “for the culture” phone call. These two were right in the middle of Hip Hop when it shifted in 1995 from East and West coast prominence to The South Uprising. But to see The South and West collaborate under one groove….DJ Layne Luv is here for this.

SO: Let’s just skip all the propers…how did y’all two muh fuchas decide to get together one day and make some music?

Bigg Gipp: Man Daz jus called me up one morning and said let’s make some music. I showed up..DJ Funky and Cool Dolla and Henry West was in there already cookin.. Then I heard the beat. I instantly loved it man. Daz made the hook…I went outside…when I come back in he had the hook and the verse laid. But I wasn’t ready. So I smoked a blunt..took it home and sat on it for a day or two…came back to the studio. Daz said you ready and I said yeah I’m ready…laid down the verse and the finished product was Type Of Girl. That was the first song we did.

SO: I’m very skeptical when veterans come back and make music because there is a dilemma of walking away from the game holding the hand in the air for The Final Shot…preserving the legacy versus coming back in a Washington Wizards Jersey. But Type Of Girl seems to fit right in with the music we are hearing today. How does feel to still be in touch with what’s going on?

Daz: I’m not gonna lie, it feels great! To still be able to do what you love and the people still respond to it with approval. We just keep thriving. As long as you have a good heart, you breathing and your health is good..from that point it’s about elevatin the game. And staying consistent. I’ve alway been able to be myself no matter where I’m at and I’m grateful for that.

SO: Man when I reminisce on how LA music make me feel and how Dungeon Family music made me feel, it just feels like a good time..like a backyard cookout…blended with a lot of herbal essence as the elixir….does that help with the vibe of the records you all put out?

DAZ: Man we are doing just that right now as we speak (Laughter in the background from all the niggas in the studio hahaha) DJ Marijuana is IN THE HOUSE….(I can’t control my laughter at this point) Seriously it doesn’t help it or hurt it, It’s helps most rappers to relax so the thoughts and creativity and push through. You can smoke weed and still make a wack song, we just happen to be good and what we do and the weed helps with that.

SO: So Daz as good as you are a rapper, you’re also one hell of a producer and you’ve engineered some classic West Coast bangers…one of my favorites being Tupac’s “Got My Mind Made Up” ..so two questions. Who’s producing your music now and tell our audience what it was like working under the tutelage of Dr. Dre?

DAZ: So Cool Dolla is our producer right now but we are working with anyone that got heat for real…

But when you talk about Dre and those years…whew….Man at first I was just puttin shit together that I thought sounded good. And then Dre would walk by the studio and say…I like this…or I don’t like that and I was just in there learning from him. But it all changed the day he said “Here Daz, I’ll let you use my drum machine” I don’t know what happened but from that one thing…it all changed and I created Rat A Tat Tat and all that shit…but seriously Warren G is who helped me get the most out of Dre’s drum machine. But Dre showed me how to put the beat on tracks and put stuff around it to make the beat sound fuller. Dre helped me out a lot.

SO: SO Gipp being that ATL has been a residence in the rap game for more than a decade going on two…how do you feel that your city has had such a long reign in music? It was a time that Hip Hop bounced around every ten years or so, but it seems that ATL has a stronghold on the game right now. How do you feel about that?

GIPP: It feels great, how these kids are taking the foundation that The Dungeon Family started and taking the ball and running with with. You see down south, we encourage growth, so when we see these kids creating, making their own beats and creating their own sound, that’s what keeps the music going for us…and quite frankly…as long as there is STRIP CLUBS…you always gonna hear ATL music. (A Loud laughter in the studio again) You can tell when you got a banger..is when them strippers start moving to it. Our music is a music that transcends gender or race. It’s family and it’s hood. I got nothing but respect for these young millionaires Migos, Metro Boomin, Mike Will Made It, Future, Young Thug, South Side, Colli Park they continue to push the culture by taking this music worldwide. I love it.

SO: So Gipp let me take you back to The Source Awards in 95′ . When 3 Stacks said “The South Got Something to say” Did you even guess that those words would be prophetic and set off the ATL revolution?

GIPP: Man to tell you the truth, I was on stage with him and I couldn’t hear let alone focus on what Dre was saying. We was all in fight mode. It was so rowdy and noisy in there, you could feel the tension to the point where any and everything could have jumped off… and we was ready. We was all on the defensive at that moment so I didn’t really hear what Dre said until years later when I saw the tape. But looking back, yes it was prophetic and I’m glad he said it, because the south took that baton and we never looked back.

SO: SO when can we expect the full album fellas?

DAZ: Late winter, early spring…just in time for them coasters and them honeys. ATLA baby!!!

SO: Well I thank y’all for taking time out of yall’s studio session to holler at ya boy. Much success to you both bringing the south and the west together to stir up a good pot of gumbo.

DAZ: Thank you Layne Luv and Straight Official for having us and big shout out to The Fleet DJ’s for playing our music!!! Much Respect!!! Respect The DJ!

@DJLAYNELUV

@StraightOfficialMag

@BigGippGoodie

@DazDillinger

@FleetDJs

@UptownWeekly

 

 

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[INTERVIEW] Nia Boom chops it up! w/ Big Gipp x Daz Dillinger

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Heey Whats good yall, its been a minute but Im back with a dope interview with the legendary Big Gipp from Goodie Mob and Daz Dillinger from the infamous “Tha Dogg Pound”. We talked about how they got together for their latest project, The industry and of course some fun questions 🙂 Listen, comment, Share Til next time Be Greater than Peeeeeacce!

 

CLICK TO LISTEN! 

 

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Master Class: Duane DaRock by DJ Layne Luv

Duane DaRock Long Way

Napoleon Hill goes on record with his book Think And Grow Rich telling the reader the very day he was sent on a mission to seek out the most successful people in the nation at that time, and develop a formula for how they became that way. The proposition was set by steel giant Andrew Carnegie. The two things I took from that fateful encounter is that successful men act quickly and change their minds slowly. 2nd, is belief,  will take you further than you can ever imagine. My point is, had Napoleon Hill let the knock of opportunity pass him by, by not recognizing a jewel (opportunity) handed to him from greatness, he might have robbed the world of some of the greatest entrepreneurs of our time inspired by his book. In July of 2017, in a conference room in Raleigh North Carolina, filled with DJ’s and radio personalities, I also felt the knock of opportunity when I heard the story of Duane DaRock…as told by Duane DaRock, and my journey has not been the same since. When he told the story of being homeless, I was at the time on the verge of being homeless and I didn’t know how I was going to get to North Carolina, let alone eat while I was down there. But one week before his breaking point…his life changed. One chance meeting with a legendary rapper solidified his place in music history. Ladies and Gentleman… Legendary Producer Duane DaRock.

SO: Mr. DaRock, so glad you could join Straight Official today. When you spoke at the Fleet Music Conference this past summer, you had something different to say vs, just talking about the music business itself, you wanted to drive home positive energy and vibrations. What made those things the forefront of your message?

DD: Well I’ve known about the power of vibration since I was 4 years old and the gift that came with that was being in tune with the vibrations of the universe and whatever you think about you bring about. The game changer for me was when my grandfather died when I was 12, that’s when I jumped in the music business which makes 32 years being in the music game. I will solely accredit the things I’ve accomplished in this business based on it being all about positive energy, good vibrations.

SO: So where did determination play a factor in your will to make it in the music business?

DD: Like I said I knew at the age of 12 what I wanted to do, so I let nothing or no one take me off of that path. So in 93′ I started producing records with the help of a man by the name of Steven Brown. He was a jazz musician. What happened was, I couldn’t find anyone to make beats for me being that I was from the Boston area. So I learned what I could until eventually I became self contained until the fateful day I met Big Daddy Kane. From there I started producing beats for Digable Planets, Kool Moe Dee, Rakim, LL Cool J and the list goes on.

SO: I know the story , but for those that need to hear this, tell the inspiring story of how you met Big Daddy Kane.

DD: Ok so I was homeless. My girl kicked me out and I was bouncing from place to place and I was starving. I was starving to the point my homie said I needed to go get some food assistance. I got all the way there and something came over me and I said NO! I’m dope…I’m dope. I went home to make some rice because it’s all I had to eat….as I’m pouring the rice in the pot, a jar from the cabinet falls and breaks into the pot of rice. I pick out the big pieces but mind you the little pieces are still in there, I literally ate glass that night. This sparked not only a fire but a fearlessness in me. About a week later, I went to the Big Daddy Kane concert on a mission to let Kane hear my beats. I tell the security that I’m one of Kane’s dancers. Security wasn’t having it. So as fate would have it, a fight broke out distracting security and so I ran. I didn’t know where I was running to, but I ran right into the back of Big Daddy Kane. I told him what I did and he listened to the beats. While he’s doing this, I can see security coming to get me. And in true Kane cool fashion. He gives this look to say, “Can’t you see he’s with me?” The very next day I’m in the studio with Kane and I’m officially in the music business. But let’s be clear…I’ve been homeless even two other times after that. I’ve made money, lost it, made it again. It was a clear lesson from God to stay humble. The Lord giveth and he taketh away.

SO: You and Jadakiss seem to have a trusting working relationship. How did that come about?

DD: I met Jadakiss through the actor Duane Martin. I did a song for a movie called Hustle and Heat. Duane Martin and Jadakiss both played in that movie, so through working together, we just kept building until eventually we ended up doing the song Letter To Big with Faith Evans which ended being the main song on the Biggie movie. But let me backtrack. I met Faith one night because I was hungry and I listened to my craving and went to Fat Burger. What I thought was a craving, was in fact that I was being guided by the vibrations. When I saw her, I told her about my studio, she came back and heard a couple tracks and that night I penned the hook to Letter To Big.

SO: What do you say to the theory that people sell their souls to get into the music industry?

DD: First of all, your soul is not for sale, so you can’t literally sell your soul. But I will say that when you go against who you are to gain some sort of stardom or unearned favor, you are then going against who you are morally and that’s why you see the heavy drugs and heavy drinking because some people in the industry have made deals that compromise who they were, so they drink to escape their now reality. You can be in this business without succumbing to the tricks of people trying to tap into your inner core of who you are. But thats why you have to operate on a high vibration so you can recognize and avoid that trap.

“When you link with demonic forces for superficial gain, you go against the will of God and that’s what selling your soul means to me.” -Duane DaRock

SO: Who’s responsible for how you ethically move throughout the music business and keep your integrity?

DD: HAHAHAHA make sure you put this in there. And put my laugh in big bold letter too. There so many artists today that wouldn’t have gotten where they are without the people they shitted on, pimped and played. A lot of ghost writers and ghost producers will never see the light of day. They receive no credit and are getting robbed regularly. But these are they same people responsible for the success you see in today’s artists. A lot of people at the top…stole their way to the top. There are a lot of wolves in this industry, but I consider myself a lion. A Lion moves gracefully and knows it rules that land. A Lion commands and takes what he wants when he is hungry. A wolf plots, plans and preys on anything weaker. A wolf is constantly looking to devour, a Lion attacks only when necessary .

SO: What’s your final word for today’s up and coming musicians?

DD: When you’re tapped in to your inner guidance, it will tell you what you need to do. Stop saying “I’m chasing my dreams.” If someone tells you to “Chase your dreams” smack the shit out of em. Anything you are chasing is obviously running away from you. The words you want to use is that I’m attracting my reality…I am manifesting my dreams. You’re talking about the guy that was homeless three times yet Kevin Hart used my song about struggle to be the main song for his movie. It can happen for you if you believe in yourself. I’m Duane DaRock and I stand by what I’ve said.

@DJLAYNELUV

@DuaneDaRock

@StraightOfficialMag

@StateOfHip_Hop

@FleetDJs

 

 

 

 

 

 

 

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[FEATURE] David Banner: 601 comes to the 614 by DJ Layne Luv

David Banner Lecture Ohio

Sept 27th 2017, Jackson Mississippi rapper David Banner calls up 106.7fm The Beat in Columbus Ohio and receives some disturbing news. He was told that a rumor circulating the city was that he would more than likely not show up to the lecture event Speak Your Truth Summit. Shortly after the interview Mr. Banner went right to Instagram to confirm that he indeed was coming to our city and that he was proud to come to our town. Within that one minute video, you saw integrity, compassion and a deep rooted southern pride to always keep your word no matter what it costs. All qualities of being a real man.

If you have grown with David Banner like I have since the hit song Like A Pimp ft Lil Flip or major production credit on T.I.’s monumental album Trap Muzik (2003), then you know that the 2017 David Banner is not the same one we know from 2003. Of course David Banner always told well rounded stories, such as Cadillacs on 22’s referencing the death of Emmett Till and other misfortunes in his home state, but after 2006, we started to see a change and conviction in his approach to music. Maybe it was those Katrina waters of 2005 that destroyed his beloved state that brought about the enlightenment. Go back in time and remember how pissed he was when the world witnessed with it’s own eyes that the President of the United States George W. Bush didn’t give a damn about the poor and disfranchised in Florida, Mississippi, Texas and of course the city hit the worst New Orleans. This was his family that was suffering and he was the only voice fit to sound the alarm in the time period to speak about his state of emergency. (pun intended)

The Great Malcolm X said in his autobiography…once the light is turned on inside you cannot turn it off. Well Mr. Banner’s light continues to shine brighter and brighter as he brings awareness to the plight of being Black In America especially in the southern states. When Straight Official caught up with Banner…I had a lot on my mind. I was extremely perplexed. I witnessed and reposted the murder of Patrick Harmon of Salt Lake City Utah on my Uptown Weekly Instagram page. Not to mention being close to the case of Timothy Davis in Columbus Ohio. In that particular situation, by all means, we are grateful that young man is still alive. However, with strain and intensity in my eyes, I told Mr. Banner…”Sir, there’s a lot of people that don’t know….but I know you know….Please shed some light on how long we have to endure these horrendous acts in front of our face as we standby appearing to be helpless.”

Understand I come to piss people off and make them uncomfortable. Because pain brings about attention quickly. Listen, a warrant, smoking weed, running, none of that is justifiable in killing someone. I’m not just talking about black people. Whatever color they are, if they are not directly posing a threat to a police officer and they’re just running away, my friend there is no reason for anyone to get shot. See, white people have gotten black people to think like them, so when we see someone jammed up by the police, the first thing we think in the back of our mind is ..damn what that n***a do? Now unless that man (Harmon) was wanted for murder, then shooting him doesn’t make any sense. You see, we also have to stop echoing their bullshit media commentary, just like in the Kaepernick situation. They wanna say kneeling is a disrespect to our troops. Well, the last time I checked, America treats it’s troops like shit. So as I’ve said on many stages, the only way to get “the power’s” attention is either by the loss of money or the loss of life.”

I spoke with David Banner for about 15 more minutes, and then it was time for him to get whisked away to the stage for his lecture. As he stood before the crowd he commanded everyone to turn off their cell phones from going live at his show. His reasoning is that he feels African Americans already give away too much for free. “We have to start getting paid for our talents and gifts” he states. He also said in front a semi-light audience “If folks wanted the experience, they should have brought their ass to the show.”

He then passed out his CD #Godbox to the entire audience, and then had enough time to play snippets from two songs for the appreciative crowd. He proceeded to break down why conscious music may not sell the way mainstream music does. “One reason muh fuchas may not buy ya shit is cuz it ain’t jammin. Just because your music has a message in it doesn’t mean it should suck.” As he states that Godbox is one of the most important albums to hip hop in the history of it, only the keepers of this culture and art form can co-sign that prediction. And just as we saw of 4:44, #Godbox did not have the nightclubs in mind this go round, but instead another project to wake up the minds.

After the show, David Banner showed true southern hospitality and shook as many hands and took as many pictures as he could with those that had to wait patiently almost two hours for the rapper/producer to take the stage. And he also gave many kudos to the organizer of the event Ms. Tomiqua Perry for her hard work and determination. 

Lastly at David Banner’s request he wanted me to quote him saying “This is the first time I’m saying this to Black America on your article brother. Don’t be afraid, they are killing us anyway so continue to stand and speak out against injustice. They’ll kill you for obeying the law, (Philando Castile) so don’t be afraid. We have been so conditioned to be afraid of white people. I’ll say this for the first time too, most black people praise white people more than they’re own religion. They’ll cheat on their wife, kill another brother, lie, steal, do everything that bible told them not to do, but will not take a stand against wrong-doing white folks. Use that, don’t take that out, quote quote mutha fucha hahahaha. Because we have to address our conditioned mentality for change to  happen as well.”

Thank you Mr. Banner for coming to our city and opening up the minds to Speak Their Truth. And be sure to pick up #GodBox on all streaming outlets (iTunes Tidal, Spotify etc)

@DJLAYNELUV

@StraightOfficialMag

@DavidBannerLikesPictures

@Stateofhip_hop

@FleetDJs

 

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[PRODUCER SPOTLIGHT] SLIM HOOD #CHAR-LITT

SLIM

#ITSJUSTWORK. You may have seen the hashtags floating around social
media, there to indicate that no matter how hard it may get, or how high
you achieve, it’s all a part of the grind. This exemplifies Slim Hood, one of
Charlotte, NC’s most prominent producers, and his brand, Platinum Plus
Recording, who have set out to make their hometown, the next hotbed for
hip-hop and R&B artists.
Born March 16, 1987, in Charlotte, NC, Michael Warlick, p/k/a “Slim Hood,”
knew music was his destiny at an early age. Michael became highly
influenced by the music his parents listened to, especially his father, who
would play all kinds of music for Michael and his brother, on their many
road trips. This gave Michael time to digest music on a deeper level, and
was the motivation behind his pursuit to learn more about the art. In an
attempt to get a feel for what it was like to actually make music, Michael
joined his school’s band and began playing the trombone. This gave him a
sound structure and helped build his understanding of music theory and
instrumentation.
During a family trip to Myrtle Beach, SC, Slim’s cousin Jason played a song
for him that Jason and his friend recorded, which really intrigued Slim. After
inquiring about who made the beat, Jason told Slim it was his friend that
made it using a program called FL STUDIO. After returning from the trip,
Slim purchased some equipment and set up his studio in his mother’s living
room, using his bed room closest as a vocal booth. He later teamed up with
some peers from high school and began producing for them. Realizing they
had real skills, they formed a group and dropped their first mixtape called
“Renegade” which saw Slim record and mix the whole project himself. This
quickly grew Slim’s name and skill and would be the start his something
bigger.
After hearing Slim’s production, another local producer by the name of Nick
Grant, asked Slim to show him some production tricks. Slim and Nick
quickly joined forces and collaborated with two artists, Dirty Face Devin and
Jermaine the Juice. Nick and Slim would go on to produce the artist’s first
mixtape entitled, “Eastside’s Crunkest.” The mixtape was heard playing in
every car after school. Unfortunately, Dirty Face Devin passed away while
at baseball practice due to a heart condition. After the sudden death, the
group tried to continue but without Dirty Face, things were not the same.
Eventually the group would split, although Slim continued to produce music
for other local artists and decided to take his production from his mom’s
house and go public with it. From that decision came Platinum Plus
Recording Studio, which is rooted in Micheal’s polished skills and one-of-akind
ear.
With a wealth of experience and extensive production knowledge, Micheal
knew early on that his natural talents would carry him into a bright future.
A willingness to keep evolving and provide a world-class experience
continues to be the driving force behind Micheal’s mission and vision.
Micheal Warlick has quickly become one of the first producer/engineers
Charlotte, NC artists call on for their next hit record.
Slim Hood decided to create a brand that would allow him to stand out and
represent the quality of his work.

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